I’ve got a confession to make: I’m a little bit obsessed with confessionals. I suspect this might be one of the weirdest things a priest could ever be told through a latticed window, but although I have no intention of repenting my curiosity-related sins, an explanation might be helpful…
The best thing about exhibitions in La Tabacalera Promoción del Arte? They let you see inside this beautiful building. And the best kinds of exhibitions are the smaller, more subtle ones, opening up all corners and details of this 225-year-old industrial masterpiece.
We’re in a surreal time in Madrid, somewhere between crisis and post-crisis. With the economy in motion again, the city’s charming madrileño hum is being shattered by the crash-bang-drill-beep of construction work and, for a brief moment, a peculiar phenomenon is appearing.
Growing up in Chueca was eye-opening for Miguel. He was exposed to things that some parents would do their best to protect their child from seeing. He was surrounded by drugs, sex, filth and death – the foundations upon which Chueca’s character is built.
Estadio Vicente Calderón, a colossal oval fortress that has dominated Madrid’s riverside skyline since 1966, is about to be demolished. One month since its closure, local bars which once thrived from the custom of football fans are now eerily quiet.
Over five million people are buried, stacked and stored as ashes in Madrid’s biggest graveyard. La Almudena’s size and layout make it feel like more of a city than a cemetery: it has a historic centre, named streets, and neighbourhoods with different characters. You’ll find upmarket areas with mansions for the rich and famous, detached houses, workers’ apartment blocks, the poor neglected parts of the city and, last but not least, an anarchist squat.
Hidden deep within Lavapiés, and almost always closed, this stunning cobbled patio took some serious discovering.
Corralas encapsulate the soul of Spanish urban living, which boomed when Madrid was declared capital of Spain in 1606.