The fight against coronavirus echoes something hauntingly familiar in Spain, and it’s from this dark period in history that local artist Félix Rodriguez has found inspiration. From the confines of his home in Madrid where he remains, like the rest of us, under lockdown, a renaissance is happening.
Recent exhibition La Tienda de la Esquina (The Corner Shop) celebrates Madrid’s beautiful antique facades. But, given these old shops are an increasingly endangered species in the Madrid streetscape, you may find yourself cynically wondering if these sculptures are actually miniature death masks.
When you first glimpse Marivi Ibarrola’s casually composed photographs of Lavapiés in the 1980s, you feel as if very little has changed. But stare for longer and you’ll see some profound differences: the Tabacalera no longer emits smoke from its chimney, the anarchists have been gentrified out of their squats, and cinemas have been demolished to pave the way for the Lavapiés we hang out in today.
Growing up in Chueca was eye-opening for Miguel. He was exposed to things that some parents would do their best to protect their child from seeing. He was surrounded by drugs, sex, filth and death – the foundations upon which Chueca’s character is built.