Welcome to the untimely ossuary of Madrid's extinct shops, bars and restaurants – an emotive collection of defunct signage from Madrid's long-lost traditional businesses.
Enrique Bordes and Luis de Sobrón, creators of the map Madrid Bombardeado 1936-1939, are part of a growing movement to expose the lost stories of the Spanish Civil War. They're tracking down our city's hidden wounds and opening them back up in the hope that by redressing them properly, they can finally heal.
Our city gardens are something to be treasured dearly, with so many being lost over the years. Hundreds of grassy nooks and micro orchards have become victim to our ever-expanding metropolis, leaving those that remain with an almost mythical status.
I'm getting used to the sound of hovering helicopters but what can I expect, living in Lavapiés? I live in a barrio so routinely pushed to the edge that, every now and then, the pressure becomes too much and its people crack.
Usman is a Mauritanian organic vegetable farmer with an allotment in the Jarama valley – a beautiful bit of local countryside with clay, terracotta soil, which I know well because I find it in the nooks of my freshly picked purple carrots.
What's popular on the Spanish radio is a world away from what's cooking beneath the surface. Funk, flamenco, Latin jazz and trap have all leapt into the limelight, but there's a part of Madrid's music scene that stubbornly resists going mainstream, even if it might be growing.
Meet Miss Beige, a feminist, anarchist madrileña after all our hearts. She's a common girl living in her own beige world, and she'll spit pipas at anyone who tells her to smile.
Hell's bitter winds have suddenly reversed and the darkest visions of the Spanish Civil War have drifted back onto the streets of Madrid. And for this, we can thank Chicago-born artist Sebastian Maharg, who has made it possible for us to remember what many of us never even saw.
I’d heard on the radio that there was going to be an eviction at 11 am, just a five-minute walk from where I lived. I turned on TeleMadrid and their cameras were already there. I put on my coat, grabbed my camera and said to my other half, “look out for me on the TV”.
I've got a confession to make: I'm a little bit obsessed with confessionals. I suspect this might be one of the weirdest things a priest could ever be told through a latticed window, but although I have no intention of repenting my curiosity-related sins, an explanation might be helpful…
The sun pours through the smokey windows of this upstairs diner and is intercepted by half a dozen coconut palms, casting exotic shadows on the terrazzo floor. Everything – and I mean everything – is a shade of brown, as it has been since its last refurb a few decades ago.
Emerge from Lavapiés’ metro into the Mediterranean Maghreb. Meander through its narrow, winding streets lined with candy-coloured facades and Juliette balconies, and catch a glimpse of the Middle East and Africa, but also Asia, Latin America and of course, Madrid.
In a dark cellar, just around the corner from the Lavapiés dungeon, a young Madrileño is enchanting people with his magic three times a week. His spellbinding illusions may not have been thrust onto the underground stage at all had it not been for hard times, but this sombre era in Spanish history is inspiring a new movement and Carlos Devanti is a driving force behind it.
Anti-homeless architecture is often disguised as useful features for pedestrians, but it secretly doubles up as defence against rough sleepers. Big money goes into making the most beautiful parts of Madrid hostile towards the homeless, and examples of these disturbing installations can be found everywhere you look.